ArmchairConcerts… keep the music playing!

KUFM / Montana Public Radio:  Live in Studio B –  Video  February 3, 2024

Interview with Michael Marsolek and Maria Larionoff    KUFM:  Live in Studio B    February 3, 2024

Divertimento in D Major, K. 136 (1772) ……… Wolfgang Amadeus Mozart
Allegro (1756-1791)
Andante
Presto

Second Interview with Michael and Maria

String Quartet in B-flat Major, op.133, “Grosse Fuge” (1826) ………….. Ludwig van Beethoven
(arranged for full string orchestra) (1770-1827)
Overtura: Allegro-Meno mosso e moderato-Allegro-Fuga
Meno mosso e moderate-Allegro molto e con brio-Allegro

SOR Concert November 19, 2023

 

Dear Friends:

As the year comes to a close we are especially grateful to you—our loyal listeners and supporters. Please enjoy our latest Armchair Concert featuring works by Vivaldi, Wiren, and Dvorak, and a special bonus performance of the Bach Arioso dedicated to Dan Lambros. All of us at SOR send our best wishes to you for the New Year and we hope to see you in the audience in February!

Musically yours,

Maria Larionoff,   Artistic Director, SOR

Concerto for Violin, Violoncello

Strings, and Continuo in B-flat Major, RV 547………………………………….Antonio Vivaldi (1678-1741)

Allegro
Andante
Allegro molto
Maria Larionoff, violin – Adam Collins, violoncello – Aneta Panusz, harpsichord 

Arioso ……………………… JS Bach

Maria Larionoff, violin – Adam Collins, violoncello – Aneta Panusz, harpsichord 

Serenade for Strings, op. 11 (1937)…………………………………………..…..Dag Ivar Wirén (1905-1986)

Preludium: Allegro molto 
Andante espressivo
Scherzo: Allegro molto
Marcia

Serenade for Strings, op. 22 (1875)…………………………………………..…..Antonín Dvořák (1841-1904)

Moderato
Tempo di Valse
Scherzo: Vivace
Finale: Allegro vivace

With Rising Stars side-by-side, featuring young string talents from our local high schools and UM School of Music.

SCOTTISH SENSATION

SOR concert November 20, 2022

Dear friends,

Our SOR musicians always enjoy our annual side-by-side collaboration with “Rising Stars”—our November 2022 performance featured young string talents from our local high schools and UM School of Music students, as well as some guests from Helena playing with us for the Grieg Holberg Suite. Their enthusiasm and energy always inspire us to play our best! Our extraordinary soloist in the CPE Bach concerto is Lorna McGhee, the critically acclaimed principal flute of the Pittsburgh Symphony. We hope you enjoy these performances!

Musically yours,

Maria Larionoff,   Artistic Director, SOR

Suite Im Alten Style (Holberg Suite), Op. 40 (1884) ……………………….. Edvard Grieg

Praeludium: Allegro vivace Sarabande: Andante
Gavotte: Allegretto
Air: Andante Religioso Rigaudon: Allegro con brio
SOR and Rising Stars: side-by-side

Concerto for Flute in D Minor, Wq. 22, H 425 (1747-55) ……………………….. C.P.E. Bach

Allegro
Un poco andante
Allegro di molto
Lorna McGhee, flute soloist

KAVAFIAN PLAYS MOZART:

University of Montana, School of Music- Recital Hall – Sunday, October 2, 2022

Sinfonia Concertante for Violin, Viola, and Orchestra, K.364 (1779) W.A. Mozart   (1756-1791)
String Orchestra of the Rockies with Ani Kavafian, violin soloist, and Maria Larionoff, viola soloist

String Quartet in D minor, D 810 Death and the Maiden (1824):  Franz Schubert (1797-1828)

Elegy: Crisantemi (1890): Giacomo Puccini  (1858-1924)

 

Enjoy,
Maria,   Artistic Director, SOR

Sinfonia Concertante for Violin, Viola, and Orchestra, K.364 (1779) W.A. Mozart   (1756-1791)

Allegro maestoso
Andante
Presto

Maria Larionoff, viola soloist, with Ani Kavafian, violin soloist

String Quartet in D minor, D 810 Death and the Maiden (1824) 

Franz Schubert (1797-1828)

Allegro
Andante con moto
Scherzo: Allegro molto
Presto (arranged for orchestra by Barry Lieberman)

Elegy: Crisantemi (1890) Giacomo Puccini (1858-1924)

ArmchairConcert:

This dazzling live SOR performance is a premiere of M. Larionoff’s arrangement of the Dvorak String Sextet for full string orchestra from our November 2021 concert.

Enjoy!

Your musical friend,
Maria,   Artistic Director, SOR

Antonin Dvorak: Sextet in A Major, Opus 48 (1878) – arr. for string orchestra by M. Larionoff

Allegro moderato
Dumka: Poco Allegretto
Furiant: Presto
Finale: Tema con variazioni

STEPHANIE In PARIS

Camille Saint-Saens is probably best known for his popular Carnival of the Animals, but his violin concerti and showpieces are beloved by all violinists for their exquisite compositional skill and bravura style. The Introduction and Rondo Capriccioso was written in 1863 for the phenomenal Spanish virtuoso Pablo de Sarasate and is a favorite among violinists for its impeccable form and sensitive orchestration which allows the soloist to shine over the orchestra. Stephanie’s performance is absolutely world-class—one of the best I have ever heard!

The second selection is less well-known, it was originally scored as a piano trio, then revised in 1910 as a sort of “concertante” for two soloists and full orchestra. The famed French music publisher Durand, concerned that it would not sell if entitled simply Double Concerto, created the intriguing title La muse et la poete to more effectively market the piece and sell more copies, thus increasing his profits!

We hope you enjoy listening to both works and we will keep you updated on Stephanie’s projects and performances until she makes her long-anticipated SOR debut in April 2022!

Musically yours,
Maria,   Artistic Director, SOR

Camille Saint-Saens: Introduction and Rondo Capriccioso  (1863)

Soloist: Stephanie Chase

The Philharmonia Orchestra conducted by Geoffrey Simon

Camille Saint-Saens:: La muse et la poete” (1910)

Soloist: Stephanie Chase

London Philharmonic, conducted by Geoffrey Simon – Robert Truman, cello soloist.

ArmchairConcert: MAY 2021

Norway’s most celebrated composer, Edvard Grieg, takes center stage in our May 2021 ArmchairConcert as our SOR quartet performs his passionate and dramatic String Quartet #1. We hope to feature this composition with our full SOR orchestra next season, as it is symphonic in scope and harmonically complex, making it the perfect choice for a larger ensemble.

ENJOY!

Your musical friend,
Maria,   Artistic Director, SOR

Edvard Grieg: String Quartet #1, in G Minor, Op. 27 

Un poco andante—Allegro molto ed agitato
Romanze—Andantino
Intermezzo—Allegro molto marcato—Piu vivo e scherzando
Finale: Lento—Presto e Saltarello

SOR Quartet:
Maria Larionoff, violin 1
Margaret Baldridge, violin 2
Jennifer Smith, viola
Adam Collins, violoncello

Dear Friends of SOR,

Please enjoy our Virtual Violin Valentine featuring the extraordinary musicianship of Stephanie Chase in a performance of Maurice Ravel’s Tzigane. Written in 1924 and dedicated to Hungarian virtuoso Jelly d’Aranyi, this composition is a true showcase of fiery pyrotechnics sure to add drama and romance to your Valentine’s celebration! Stephanie’s recording was praised by Gramophone Magazine for her “rich, passionate tone, dead-true intonation throughout, and virtuosity galore”.

Musically yours,
Maria,   Artistic Director, SOR

Maurice Ravel: Tzigane  (1924)

Soloist: Stephanie Chase

The Philharmonia Orchestra, conducted by Geoffrey Simon

Dear Friends of SOR,

Our January ArmchairConcert brings the lilting Viennese melodies of Schubert and the dynamic power of Prokofiev to your living room in a performance from October 2020 featuring the SOR Quartet. We hope you enjoy this concert featuring some of your favorite SOR musicians!

Musically yours,
Maria,   Artistic Director, SOR

Schubert: String Quartet in A minor, D804 – Op. 29 “Rosamunde” (1824)

From the October 2020 concert.
Margaret Baldridge, violin
Maria Larionoff, violin
Jennifer Smith, viola
Adam Collins, violoncello

Allegro ma non troppo
Andante
Minuetto-Allegretto
Allegro moderato

Image: Tom Bauer, Missoulian

Prokofiev: String Quartet no. 2 in F Major, Op. 92 “Kabardinian” (1941)

From the October 2020 SOR concert.
Maria Larionoff, violin
Margaret Baldridge, violin
Jennifer Smith, viola
Adam Collins, violoncello

Allegro sostenuto
Adagio
Adagio

No Nutcrackers–Just Strings

One of my favorite childhood memories in San Francisco was our annual trip to the Opera House in December to see the San Francisco Ballet’s production of The Nutcracker. It all seemed so magical—the plush velvet seats of the theatre, the elaborate costumes, the sets and dazzling lights, and most of all—the enchanting melodies of Tchaikovsky. Here at SOR, we have no Nutcrackers or Sugar Plum fairies, but we do have some brilliant string playing—wonderful background music to have on while baking your holiday cookies!
From all of us at SOR—wishing you and your family a magical holiday season—and all the possibilities of a wonderful New Year.

Your musical friend,
Maria,   Artistic Director, SOR

Piotr Ilyich Tchaikovsky: Serenade for Strings (1880)

Andante non troppo–Allegro moderato
Waltz
Elegie
Finale: Andante–Allegro con spirito

From the September 16, 2018 SOR concert.

The next two uplifting and inspiring masterpieces are perfect for our shorter and cooler days–the beloved Eine Kleine Nachtmusik serenade by Mozart, and the brilliant octet by Felix Mendelssohn–a true showcase for our talented SOR musicians. These works were performed at our concerts in September 2020.

W.A. Mozart: Eine Kleine Nachtmusik  K525 (1787)

Allegro
Romanza (Andante)
Menuetto (Allegretto)
Rondo (Allegro)

Margaret Baldridge, violin
Maria Larionoff, violin
Jennifer Smith, viola
Adam Collins, violoncello

Felix Mendelssohn: Octet in E flat major, Op. 20 (1825)

Allegro moderato ma con fuoco
Andante
Scherzo: Allegro leggerissimo
Presto

Maria Larionoff, violin
Carrie Krause, violin
Margaret Baldridge, violin
Loy Koch, violin

Jennifer Smith, viola
Lisa Shull, viola
Fern Glass Boyd, cello
Adam Collins, cello

The next three pieces come from our February 2020 concert,  A Portrait of Beethoven. They are the nostalgic, lilting Serenade of Sir Edward Elgar, written in 1892; the evocative String Quartet #2 of Philip Glass, composed in 1983 and arranged by the composer for string orchestra, and concluding with the power and drama of Beethoven’s Op.18 #4 String Quartet, arranged for orchestra by B. Lieberman—a masterpiece that perfectly mirrors our turbulent times!

Sir Edward Elgar: Serenade for Strings in e minor, Op. 20 (1892)

Allegro piacevole
Larghetto
Allegretto

Philip Glass: String Quartet #2 “Company” (1983)

(arr. for orchestra by the composer)
I quarter = 96
II quarter = 160
III quarter = 96
IV quarter = 160

Ludwig van Beethoven: String Quartet in c minor, Op.18 #4 (1801)

(arr. for orchestra by B. Lieberman)
Allegro ma non tanto
Andante scherzoso quasi allegretto
Menuetto: Allegretto
Allegro: Prestissimo